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The Cabot’s Big Night

Featuring Ray LaMontagne and Very Special Guest Lucinda Williams

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Details

Date:
Friday, April 28
Time:
7:30 pm
Doors Open:
4/28/23 6:30 pm
Event Category:

Sponsored by

Venue

The Cabot
286 Cabot Street
Beverly, MA 01915 United States
Phone:
9789273100
Website:
thecabot.org

Join us for a fun night of music and celebration to support The Cabot so our beautiful historic theater can continue to educate, inspire and entertain for generations to come.

General tickets are SOLD OUT but VIP tickets and sponsorships are still available.

CLICK HERE TO PURCHASE VIP TICKETS AND SPONSORSHIPS

RAY LAMONTAGNE

Grammy Award winning singer/songwriter Ray LaMontagne has released 8 studio albums, 5 of which have reached Top 10 on Billboard’s Top Rock Albums chart and Billboard’s Digital Albums chart.  Additionally, Ray’s 2010 album God Willin’ & the Creek Don’t Rise won the Grammy for Best Folk Album and was nominated in the coveted Song of The Year category for “Beg Steal or Borrow.” Ray’s most recent release MONOVISION includes breakout songs such as “I Was Born To Love You” and #1 AAA single “Strong Enough”.

Each release from his catalog carries its own character and feel. American Songwriter says of MONOVISION, “Both LaMontagne’s craftsmanship in the composition of these songs and his easygoing, unaccompanied playing will come as comfort food to established followers who should welcome this most organic return to his roots.”

Critics across the US have also raved about his live performance. Consequence of Sound said, “Hearing Ray LaMontagne perform live is a poignant and magical experience,” while The Boston Herald raved, “LaMontagne’s voice remains a marvel, quiet and reflective one minute and forceful and impassioned the next. It really is an amazing instrument.”

LUCINDA WILLIAMS

“It’s all come full circle,” says Lucinda Williams about her powerful new album, Good Souls Better Angels. After more than forty years of music making, the pioneering, Louisiana-born artist has returned to the gritty blues foundation that first inspired her as a young singer-songwriter in the late 1970s. And after spending the last year on her sold-out “Car Wheels on a Gravel Road” 20th Anniversary tour, Williams has reunited with that game-changing 1998 album’s co-producer and engineer Ray Kennedy, recording Good Souls, Better Angels with her ace touring band at his Nashville studio. Joining them as co-producer is Williams’ manager Tom Overby, to whom she’s been married for a decade and who contributed lyrics to her masterful songcraft. “That’s what I always dreamed of – a relationship with someone I could create with,” Williams enthuses.

The result – Good Souls Better Angels – is the most topical album of Williams’ career. The dangerous world we live in, the constant barrage of a frightening news cycle, depression, domestic abuse, a man without a soul – and, yeah, the devil – figure prominently among its twelve tracks. “The devil comes into play quite a bit on this album,” Williams says. “I’ve always loved the imagery in Robert Johnson songs and those really dark Delta blues that are sort of biblical. I was inspired by Leonard Cohen – he dealt with that in his songs – and Bob Dylan and Nick Cave.” While, Good Souls Better Angels reflects many dark realities that surround us, the album is tied together with themes of perseverance, resilience and ultimately, hope.

As for the topicality of the material, Williams says, “Because of all this crap that’s going on, it’s on the top of everybody’s minds – it’s all anybody talks about: Basically, the world’s falling apart – it’s like the apocalypse. That’s where that Old Testament stuff comes from. It’s different from my other albums in that there aren’t the story songs about my childhood and all. It feels exciting.”

From the driving blues of the opening track “You Can’t Rule Me” to the ominous gothic “Pray the Devil Back to Hell,” from punk-blues-fueled “Bone of Contention” to fire ‘n brimstone “Drop by Drop (Big Rotator),” Williams has never been more raw and direct, with gut-punching wordplay crossing the Good Book with hip-hop with Ginsbergian beat poetry. The Williams-Overby collaborative songwriting experiment clearly has been a success. “It just happened organically,” says Williams. “Tom and I started working on songs together and he came up with some of the ideas. He gave me lines that he’d written and I took it from there. I love it because it expands things. ‘Man Without a Soul’ was his idea, and he came up with ‘Big Black Train,’ about that big black cloud of depression. When I listen to that track, it makes me cry.”

Recording live in Ray Kennedy’s vintage-equipped studio, Williams and her longtime band – guitarist Stuart Mathis, bassist David Sutton, and drummer Butch Norton – cut most of the songs in two or three takes, with the rhythm section’s rock-solid pulse and Mathis’ versatile sonic attacks backing Williams’ distinctive passion-drenched vocals. The brutal “Wakin’ Up,” punctuated by Mathis’ chainsaw guitar, viscerally details a woman’s harrowing escape from domestic violence, while the pensive “Shadows & Doubts” sheds light our quickto-judge, social-media-led society and how everyone may love you one moment, but completely abandon you the next. Williams turns Greg Garing’s honky-tonk shuffle “Down Past the Bottom” into a dark-night-of-the-soul hard rocker. Tongue in-cheek irony leads the swingin’ “Bad News Blues” as Williams bemoans a plethora of “liars and lunatics/fools and thieves/clowns and hypocrites” and Mathis’ guitar work slithers around the lyrics like a snake. The bittersweet counterpoint “When the Way Gets Dark,” with its lovely melody and evocative guitar, offers hope to us all, Williams urging in her most tender vocals, “Don’t give up/Take my hand/You’re not alone.”

Williams has traveled a long road since her 1979 debut, Ramblin’ on My Mind, followed by Happy Woman Blues, her first album of originals released forty years ago in 1980. (She says that she’s still “the same girl” except that now “I have a bigger fan base and I can afford to stay at better hotels.”) Over the course of fourteen remarkable albums, three Grammy awards, and countless accolades, including Time’s Songwriter of the Year of 2001, Williams is one of our most revered artists, beloved for her singular vocals and extraordinary songs. Her recent double albums, Down Where the Spirit Meets the Bone (2014) and Ghosts of Highway 20 (2016), released on her own label, received some of the best reviews of her career.

Giving voice to all her experience, Williams ends Good Souls, Better Angels with the luminous “Good Souls,” one of the last songs written for the album. It is a deeply moving invocation: “Keep me with all of those/who help me find strength/when I’m feeling hopeless/who guide me along/And help me stay strong and fearless.” Amen.

 

Recognizing Jim and Marie Dawson, distinguished leaders at The Cabot

Even with a dynamic career as an accomplished banking executive and small business owner, Jim Dawson always has time to make a difference in his beloved hometown of Beverly. A lifelong resident, Jim was an early patron of The Cabot, attending matinees in his pre-teen years and later, on dates with his high school sweetheart, Marie Gilligan Dawson. 

At the beginning of The Cabot’s transformation, when it had newly become a non-profit theater dedicated to saving this historic gem, Jim was approached by Henry Bertolon, one of the original 5 founders of The Cabot’s new story. He and Marie quickly became major supporters and the next day agreed to fund the new marquee to keep The Cabot magic alive.

After a stint on The Cabot’s Development Committee, Jim joined the Board of Directors, eventually becoming Chairman, and stewarded The Cabot through an exciting period of growth and evolution. Jim’s tenure as Board Chair oversaw the replacement of the nearly 100-year-old balcony seating, the installation of state-of-the-art sound and lighting systems, and the development of the Cabot Club, our premier membership program. 

Not only a tremendous financial supporter, Jim and Marie are big fans of The Cabot, attending many shows throughout the year from Kashmir (Jim’s a lifelong Led Zeppelin fan!) to the Darlene Love (Marie’s favorite) and everything in between. You can always spot Jim on Cabot Street, proudly wearing his Cabot hat. He is tireless in recruiting an impressive group of community visionaries, like himself, to join the Board or the Ambassador Committee. The Cabot is proud to recognize our friends and colleagues, Jim and Marie Dawson, and their unwavering efforts to help The Cabot become one of the preeminent arts and cultural institutions on the North Shore.