Robert Cray Band
+ Danielle Miraglia and the Glory Junkies Duo$38.50 – $58.50 Buy Tickets
Robert Cray has been bridging the lines between blues, soul and R&B for the past four decades, with five Grammy wins and over 20 acclaimed albums. For his latest project, Robert Cray & Hi Rhythm (April 28, 2017 / Jay-Vee Records), the Blues Hall of Famer traveled to Memphis with his friend, renowned Grammy Award winning producer Steve Jordan, to make a classic soul album with Hi Rhythm, the band that helped create that sound.
Jordan and Cray met in 1987 while working on the concert film Hail! Hail! Rock and Roll, a tribute to Chuck Berry. Steve produced Robert’s Grammy winning Take Your Shoes Off in 1999, and a number of other albums, including the exciting 4 Nights of 40 Years Live. He knew of Robert’s deep love of O.V. Wright and other Memphis soul legends, and suggested they take up residence at Royal Studios, where Wright, Ann Peebles, Al Green, Syl Johnson, Otis Clay and many others recorded with the venerable producer, songwriter, arranger and engineer, Willie Mitchell. The core of Mitchell’s Hi Rhythm band used on many of those landmark sessions was still around, though Mitchell himself had passed in 2010.
Set inside an old theater, the funky Royal Studios looks much as it did when Al Green was cutting those classics for Hi Records. Guitarist Teenie Hodges has passed away, but his brothers Rev. Charles Hodges (organ and piano) and Leroy “Flick” Hodges (bass), along with cousin Archie “Hubbie” Turner (keyboards), were still there. “It was a soul, rhythm and blues, fantasy camp for us. Those guys have been playing in that room for 50 years,” says Jordan.
Robert penned “You Had My Heart” and “The Way We Are,” two stunning love songs. Many timeless soul songs were statements in a time of turmoil, and so it is again with Cray’s “Just How Low.” The album opens with a driving, soulful version of Bill Withers’ “The Same Love That Made Me Laugh” that sounds as if it was originally from an old Hi Rhythm recording. Jay-Vee Records knows it’s very lucky to have these powerful songs. When Robert chose two Tony Joe White songs for the album, White, a big fan of Cray, came up from Nashville to sit in. First up is the moving ballad “Aspen, Colorado” (the sister song of his “Rainy Night in Georgia”). The other end of the spectrum is the swirling psychedelia of “Don’t Steal My Love.” The tribute to O.V. Wright and Hi Rhythm is the horn-driven version of “You Must Believe in Yourself.” Known for writing “Mustang Sally” and many other songs, Sir Mac Rice’s “I Don’t Care” follows on the album with an unforgettable hook, and Rice’s funky “Honey Bad” features more guitar brilliance from Cray. Moving into early R&B from the 5 Royales, Robert performs “I’m With You Pt. 1” then turns the guitar loose on “I’m With You Pt 2.”
“Robert is a great person besides an extraordinary talent,” says Steve. “People gravitate to his guitar playing first, but I think he’s one of the best singers I’ve heard in my life. Not only because of his singing ability, but his interpretations. He’s an honest soul.”
Danielle Miraglia comes armed with a strong steady thumb on an old Gibson, an infectious stomp-box rhythm and harmonica with tunes ranging from heart-felt to socially conscious that will move both your heart and hips. Her latest All My Heroes Are Ghosts, released with her band Danielle M and The Glory Junkies touches on a lot of what might be on your mind these days – the loss of so many musical heroes on the title track, the chaos of “fake news” on “Monster,” our collective anxieties on “All On Fire,” and more…the music itself blends influences of some of Miraglia’s own musical heroes – The Rolling Stones, Prince, Janis Joplin along with Danielle’s lyrical ability to explore human nature at its best and worst.
“Straddling the line where folk/roots meets rock/blues, Miraglia has a voice that can go from a raspy come-hither purr to an Etta James-esque powerhouse belt, although she may be best known for her lead thumb — a heavy, thumping strike on her Gibson that’s backdrop percussion in itself.” – Lauren Daley – The Boston Globe