Mystic Bowie’s Talking Dreads + Cultural Roots$18.50 - $28.50 Buy Tickets
On “Life During Wartime,” the first single from Talking Heads’ 1979 album Fear of Music, David Byrne famously sang the immortal lyrics, “This ain’t no party, this ain’t no disco . . . no time for dancing . . .” Yet all those anti-fun declarations go gleefully out the window when Mystic Bowie, aka the “Head Dread,” takes the stage, re-imagining and infusing fresh life into the Talking Heads’ classic catalog with his high octane mix of roots reggae, ska and lover’s rock (aka “romantic reggae”).
Since debuting his musically revolutionary Talking Dreads project live at the High Times Music Festival on the beach in Negril in late 2015, the charismatic Jamaican-born singer and performer has electrified audiences at more than 100 shows across North America – spinning the heads of initially skeptical Talking Heads fans, and getting everyone else grooving along to the infectious, joyous rhythms and jubilant spirit of his native island. Considering the success of these events, it was only a matter of time before Bowie – who has lived in the Northeastern U.S. for many years – headed back to his cherished homeland and set up shop at the famed Barry O’Hare Studios in Ocho Rios. He gathered old friends he had played music with since childhood, along with younger musicians, legendary Jamaican artists and other surprise guests to capture all the magic of his live performances on the epic, 13 track recording Mystic Bowie’s Talking Dreads.
“Talking Dreads is much more than a cover band,” Mystic says. “I am very much drawing on my own musical culture and history to make these amazing songs my own, while at the same time preserving the integrity of the Talking Heads songs. I’ve always felt that reggae’s dance-inspiring, feel good vibe is universal, as are many of the band’s songs. And don’t forget their intelligent, powerful lyrics, which are fun to sing and shine fresh light on through this new fusion of styles. It took a lot of effort to deconstruct and dissect each song to make it work seamlessly with my singing and performance style. I removed all the instrumentation, kept the story and words, then created my own reggae, Caribbean and tribal feel and married those two elements – then brought back a few of the melodies that captured my attention back in the day.”
Cultural Roots’ original founding member, Wade Dyce (now living in Salem, Massachussetts for many years) is once again fronting the revival of this famous roots reggae band and they are touring again. Founded in 1978, Cultural Roots has seven members featuring original lead singer, Wade Dyce, with two talented backup female singers and a full band performing their original hits. Once considered Jamaica’s most “elusive vocal trio” the group defined the era of heavy roots and dub reggae in the 1980s before Dancehall changed the international reggae landscape.
Cultural Roots worked throughout the 1980s with top producers such as Donovan Germain, Henry “Junjo” Lawes, and Mad Professor producing classic albums Hell A Go Pop, Drift Away from Evil, Rougher Yet and Money, Sex and Violence.
The band remains a favorite among reggae historians and record collectors and since the group disbanded in the early 1990’s a resurgence of interest in the music has made their albums highly collectible. Countless remakes of original Cultural Roots songs have been produced and recently the Mad Professor album “Roots of Dubstep” featured a version of their hit “Mr Bossman” aimed at educating younger audiences about the source of much of popular electronic music today.